Nikon Z6 III Kit 24-70mm f/4 S Mirrorless Camera

Included :

1x Nikon Z6 III Mirrorless Camera

1x Nikon NIKKOR Z 24-70mm f/4 S Lens

1x EN-EL15c Rechargeable Li-ion Battery

1x HDMI and USB Cable Clip

1x AN-DC26 Mirrorless Camera Strap

1x UC-E25 USB Cable

1x DK-29 Rubber Eyecup

1x BF-N1 Body Cap

1x BS-1 Accessory Shoe Cap

1x Manual Book

1x Kartu Garansi Resmi

Nikon Z6 III Mirrorless Camera

Massive Upgrades for a Mid-Range Monster

Sporting a new and inspired partially-stacked sensor design, the Nikon Z6 III Mirrorless Camera unlocks a number of flagship-level upgrades for this mid-range camera, including faster and more precise autofocus, professional-level 6K internal raw video, pre-capture at up to 120 fps, and a smooth, bright, colorful EVF. Taken together, these upgrades make this mirrorless monster an ideal choice for aspiring professionals in search of an all-around, affordable camera.

Newly Designed Sensor and Flagship Processing

24.5MP Partially-Stacked CMOS Sensor

The Z6 III is Nikon's first camera to to feature a partially stacked sensor design for faster scans and readouts than its predecessor, as well as reducing rolling shutter. Additionally, this sensor design unlocks many of the flagship-level features in the camera, like faster autofocus, a smoother EVF experience, faster continuous shooting speeds, and higher frame rates when shooting video.

EXPEED 7 Image Processor

Complementing the sensor is the EXPEED 7 processing engine, found in the top-of-the-line Z8 and Z9 mirrorless cameras an which offers speeds approximately 10x faster than the Z6II. This engine works in conjunction with the partially-stacked sensor design to realize impressively fast AF speeds, burst shooting rates, a high buffer capacity, fluid video performance, and quick all-around handling.

Top continuous shooting speeds of 20 fps when shooting in raw, up to 60 fps when shooting in full-frame JPEG, and 120 fps when shooting JPEGs using a DX crop, with all rates supporting full AF/AE performance.
Able to buffer over 1000 images in a burst when using the electronic shutter, meaning image sequences can be recorded for approximately 50 seconds continuously.

Pre-Release Capture at up to 120 fps helps make decisive moment shots easier by recording frames in a burst for up to a second prior to actually releasing the shutter. When this feature is activated, burst shooting will commence when the shutter is half-pressed and the buffer will retain up to 4 seconds' worth of frames after fully pressing the shutter.
Electronic shutter affords a top shutter speed of 1/16,000 sec for working in the brightest conditions with wider apertures.

Partially-stacked sensor design reduces rolling shutter distortion so fast-moving subjects, like a golf club, tennis racket, or baseball bat, do not appear distorted when working with shutter speeds up to 1/16,000 sec.
AF calculations are done at a 120 fps rate to keep up with fast continuous shooting speeds.

Fast and Intelligent AF

493-Point Phase-Detection AF

Covering the full sensor area, the Z6 III's flagship EXPEED 7 processor unlocks Nikon's flagship 493-point phase-detection AF system to realize fast and accurate focusing performance. This system is benefitted by the high-speed communication of the Z interface along with the speed of the sensor that enables AF readings to occur at up to 120 fps.

This focusing system also supports working in low-light conditions with a Starlight mode that permits focusing down to -10 EV to greatly benefit astrophotography, concert, and other nighttime shooting applications. Featuring the highest native ISO in a Z-series camera at ISO 64000, the autofocus is also useful for working in difficult lighting conditions. The Backlit AF function uses separate pixels on the sensor that allows these areas to intentionally overexpose for focusing accuracy purposes without impacting the actual exposure of the recorded image.

A mainstay focusing mode in DSLRs, which debuted for mirrorless with the Z9, the Z6 III also includes 3D Tracking AF that pairs with subject detection to lock onto fast, erratically moving subjects that move parallel and perpendicular to the camera. Additionally, there are three Dynamic-Area AF modes, with a range of focus area sizes, for capturing a broad variety of moving subject types.

Subject Detection with Deep Learning Technology

Utilizing inherited algorithms and deep learning technology from the Z9, including sophisticated Subject Detection, the Z6 III can recognize a variety of distinct subject types, ranging from humans to animals to airplanes to bicycles. When working in Auto-Area AF, these subjects will automatically be detected, focused on, and tracked to ensure sharp focus when the subject is moving across the frame.

Eye-Detection AF, specifically, has been tuned for improved accuracy and refined recognition of eyes in the scene and can also be used in conjunction with custom Wide-Area AF for different subject shapes and sizes.

More Beautiful Portraits

Perfect for portraits, the Z6 III improves on the partially-stacked sensor's inherent capabilities with a series of processing tools and shooting functions to improve portraits:

Portrait mode processes portraits for skin with natural texture and a rounded feel
Rich Tone Portrait mode, a picture mode that produces more vivid results while capturing details of the subject's complexion and avoiding loss of detail in the highlights
Flat Monochrome mode features gentle gradations from highlights to shadows, producing soft monochrome portraits
Deep Tone Monochrome mode chooses slightly darker tones in the range from shadows to mid-tones, with brightness rapidly increasing as tones progress from mid-tones to highlights
Skin softening can be used on up to three subjects in a shot and slightly blurs the skin for a more pleasing texture while still retaining essential sharpness on eyes and hair
Manual white balance control is more intuitive when making adjustments and Auto WB has also been optimized for human subjects
Take full advantage of Nikon's portrait modes by pairing the Z6 III with one of Nikon's portrait Z lenses, like the 50mm f/1.2 S, the 85mm f/1.2 S, or the 135mm f/1.8 S Plena

Pixel Shift Technology

Produce ultra-high resolution images at up to approximately 96 megapixels using pixel shift technology. By slightly shifting the image sensor between shots - selectable between 4 and 32 shots per image, with more shots meaning more detail - users can merge the images in NX Studio after shooting to create a single image with enhanced resolution, texture, and color. The shooting method also also reduces noise, moiré, and false colors. Pixel Shift photography benefits archival, landscape, architecture, fine art, macro, and film digitizing applications, and achieves its best results when working with a tripod.

Professional Level Video

Internal 6K60 and 4K 120 Recording

Equally capable for video, the Z6 III approaches the Z9's recording capabilities here, as well, with a variety of resolutions and frame rates available up to 6K.

Using full pixel readout, 6K60p video can be recorded with continuous shooting, while 4K and Full HD recording is also possible in a variety of frame rates, including full-frame 4K recording at up to 120p and Full HD recording at 240p for slow-motion playback.

N-RAW and ProRes RAW Video

Internal 12-bit raw raw recording at up to 6K 60p in the N-RAW format is supported along with internal ProRES RAW HQ. Raw recording offers greater tonal and color latitude and can improve dynamic range, benefitting color grading needs and post-production flexibility.

N-RAW is Nikon's own raw recording format that offers impressively small file sizes compared to other raw formats as well as the ability to create MP4 proxies for more efficient previewing or transferring.
N-RAW recording is available at up to 6K at 60p and ProRes RAW is also available at up to 6K and 30p.

ProRes and H.265 10-Bit Recording

Internal recording is also supported with 10-bit color and 4:2:2 sampling in the ProRes 422 HQ codec and 4:2:0 sampling in the H.265 codec at 5.4K 30p and 5.4K 60p, respectively.

Nikon's Brightest Viewfinder

The Z6 III's sensor-processor combo has allowed Nikon to give the Z6 III the brightest electronic viewfinder on any of its cameras. At 4000 nits, it's 33% brighter than the flagship Z9, making a subject's details visible even in bright sunlight. Its 5,760,000 dot resolution is also a first for a Nikon EVF, aiding with autofocus by showing the subject recognition square. This EVF also features a high fps function, which ups the EVF's refresh rate to 120 fps for smoother, lifelike viewing. Finally, the Z6 III's EVF also features a higher dynamic range and is compatible with a DCI-P3 color gamut - the first of its kind in a mirrorless camera - for approximating real-world color when taking the shot.

170° Vari-Angle LCD

The Z6 III incorporates a unique 3.2" 2.1m-dot touchscreen LCD that features 170° vari-angle mobility to better support working from high and low angles, regardless if shooting in the horizontal or vertical orientation. This allows for easier viewing from a variety of positions and the user interface orientation will also shift depending on how the camera is held.

Body Design

Dual card slots-one CFexpress Type B slot and one UHS-II SD slot-allow for flexible file saving. The CFx slot is suitable for data-intensive applications, like 6K recording and high-speed burst shooting, while the SD slot retains compatibility with the popular storage format. Additionally, the CFx B slot is also compatible with XQD memory cards.
Pair the Z6 III with the optional MB-N14 Power Battery Pack grip for improved ergonomics when shooting vertical and up to 1.9x the battery life.
The smaller, lighter design makes the Z6 III an ideal candidate for rigging or use on a gimbal for video use.
Premium weather sealing protects against dust and moisture for confident use in harsh climates.
In-body Vibration Reduction now supports Synchro VR to achieve up to 8 stops of camera shake compensation when used with select Z lenses.

Versatile Connectivity

Matching the professional build quality, the Z6 III is fitted with a variety of connectivity options to suit various workflow needs:

Another Nikon first, the Z6 III features direct-to-cloud connectivity with Nikon Imaging Cloud for file transfer and access to Nikon's imaging recipes for creative color grading
Sync timecodes using Ultrasync Blue from Atmos, connecting multiple Z6 III camera bodies for multi-camera production setups
Full-size HDMI port for outputting video to an external recorder or monitor
3.5mm headphone port and a new line-in port for on-board audio monitoring and high-quality audio input directly into the camera
One USB-C port that supports file transfers and tethering as well as power delivery and battery charging
USB-C communication terminal supports USB-LAN connectivity when paired with an optional USB-C to Ethernet adapter. This enables a 1000BASE-T wired LAN connection for transferring files over FTP
10-pin port offers wide accessories and remote connectivity
Bluetooth and Wi-Fi (2.4 and 5 GHz) permit wireless transferring of files, remote camera control via a mobile device, and works in conjunction with the NX Mobile Air app for file management

Nikon NIKKOR Z 24-70mm f/4 S Lens

Covering a useful range of focal lengths, the NIKKOR Z 24-70mm f/4 S is a versatile zoom, spanning wide-angle to portrait-length perspectives. Its constant f/4 maximum aperture maintains a consistent exposure throughout the zoom range and also helps to realize a more compact and lightweight alternative to an f/2.8 zoom. In regard to the optical design, a unique aspherical extra-low dispersion element, in addition to three aspherical elements, is used to help reduce chromatic aberrations and distortions throughout the zoom range in order to achieve high image sharpness and clarity. Both Nano Crystal and Super Integrated Coatings have also been applied to control flare and ghosting for greater contrast and color rendering in bright and backlit conditions.

Complementing the optics, a stepping motor provides quick, quiet, and precise autofocus performance along with full-time manual focus override to suit both stills and video applications. A programmable control ring can be set for intuitive adjustment over a variety of camera and exposure settings. Additionally, the lens has a button-less retractable barrel to realize a more compact form factor when not in use.

Tech Specs

Effective Pixels
24.5 million
Sensor Size
35.9 mm x 23.9 mm
Storage Media
CFexpress (Type B), XQD, SD (Secure Digital), and UHS?II compliant SDHC and SDXC memory cards
ISO Sensitivity
ISO 100 to 64000 in steps of 1/3 and 1 EV Can also be set to approx. 0.3, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.7, 1 or 1.7 EV (ISO 204800 equivalent) above ISO 64000; auto ISO sensitivity control available Note: ISO sensitivity is limited to 400–64000 when HLG is selected for tone mode.
Movie
5376 x 3024 (5.4K): 60p/50p/30p/25p/24p 3840 x 2160 (4K UHD): 120p/100p/60p/50p/30p/25p/24p 1920 x 1080: 240p/200p/120p/100p/60p/50p/30p/25p/24p 1920 x 1080 (slow-motion): 30p x4/25p x4/24p x5 Note: Actual frame rates for 240p, 200p, 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 239.76, 200, 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively.
Monitor Size
3.2 in. diagonal
Monitor Type
Vari-angle TFT touch-sensitive LCD
Battery / Batteries
One EN?EL15c rechargeable Li-ion battery * * EN?EL15b and EN?EL15a batteries can be used in place of the EN?EL15c. Note, however, that fewer pictures can be taken on a single charge than with the EN?EL15c. EH?8P AC adapters can be used to charge EN?EL15c and EN?EL15b batteries only. EH?7P charging AC adapters and (available separately) EH?8P Charging AC adapter (available separately); requires UC?E25 USB cable (supplied with camera) MH-34 Battery Charger (available separately)
Approx. Dimensions (Width x Height x Depth)
5.5 in. (138.5 mm) x 4 in. (101.5 mm) x 3 in. (74 mm)
Approx. Weight
23.7 oz. (670 g)

Lens Mount
Nikon Z mount

Effective Pixels
24.5 million
Sensor Size
35.9 mm x 23.9 mm
Total Pixels
26.79 million
Dust-Reduction System
Image sensor cleaning, Image Dust Off reference data (requires NX Studio)
Dust-Off Reference Photo
Yes
Image Area (pixels)
FX-format
(L)(L) 6048 x 4032 (large)
(M)(M) 4528 x 3024 (medium)
(S)(S) 3024 x 2016 (small)
DX-format
(L)(L) 3984 x 2656 (large)
(M)(M) 2976 x 1992 (medium)
(S)(S) 1984 x 1328 (small)
1:1 (16 x 16)
(L)(L) 4032 x 4032 (large)
(M)(M) 3024 x 3024 (medium)
(S)(S) 2016 x 2016 (small)
1:1 (24 x 24)
(L)(L) 4032 x 4032 (large)
(M)(M) 3024 x 3024 (medium)
(S)(S) 2016 x 2016 (small)
16:9 (36 x 20)
(L)(L) 6048 x 3400 (large)
(M)(M) 4528 x 2544 (medium)
(S)(S) 3024 x 1696 (small)
16:9 (36 x 20)
(L)(L) 6048 x 3400 (large)
(M)(M) 4528 x 2544 (medium)
(S)(S) 3024 x 1696 (small)
Image Sensor Type
Partially Stacked CMOS Sensor

File Format Still Images
NEF (RAW): 14 bit with lossless, high-efficiency*, and high efficiency options JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; size-priority and optimal-quality compression available HEIF: Supports fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; size-priority and optimal-quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats NEF (RAW)+HEIF: Single photograph recorded in both NEF (RAW) and HEIF formats
Storage Media
CFexpress (Type B), XQD, SD (Secure Digital), and UHS?II compliant SDHC and SDXC memory cards
Card Slot
2 slots (1 CFexpress/XQD and 1 SD)
File System
DCF 2.0, Exif 2.32, MPEG?A MIAF

Viewfinder
1.27-cm/0.5-in. UXGA OLED electronic viewfinder with approx. 5760k-dots, color balance, auto and 19-level manual brightness controls, and support for high frame rates
Viewfinder Frame Coverage
Approx.Approx. 100% horizontal and 100% vertical
Viewfinder Magnification
Approx.Approx. 0.8x (50 mm lens at infinity, -1.0 m -1)
Viewfinder Eyepoint
21mm (-1.0 m-1; from rearmost surface of viewfinder eyepiece lens)
Viewfinder Diopter Adjustment
−4 – +2 m−1
Eye Sensor
Automatically switches between monitor and viewfinder displays

Depth-of-Field Control
Yes
Lens Compatibility at a Glance***
Z mount NIKKOR lenses F mount NIKKOR lenses with mount adapter; restrictions may apply
Compatible Lenses
Z mount NIKKOR lenses F mount NIKKOR lenses with mount adapter; restrictions may apply

Shutter Type
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter
Shutter Speed
¹⁄???? – 30 s (choose from step sizes of ¹⁄?, ¹⁄?, and 1 EV, extendable to 900 s in mode M), bulb, time When using an electronic shutter, the shutter speed can be set up to ¹⁄??,??? s.
Fastest Shutter Speed
Mechanical shutter: 1/8000; Electronic shutter: 1/16000 sec.
Slowest Shutter Speed
900 sec. sec.
Flash Sync Speed
Up to: 1/200 second
Bulb Shutter Setting
Yes
Shutter Release Modes
Single frame Continuous L Continuous H Continuous high-speed (extended) High-speed frame capture with Pre-Release Capture Self-timer
Approx. Frame Advance Rate
Continuous L: Approx 1-7 fps Continuous high speed: Approx. 8.1 fps (when using the electronic shutter and image quality settings other than NEF (RAW) and NEF (RAW) +: approx. 16 fps) Continuous high speed (extended): Approx. 14 fps (with electronic shutter: Approx. 20 fps) High-speed frame capture + (C30): Approx. 30 fps High-speed frame capture + (C60): Approx. 60 fps High-speed frame capture + (C120): Approx. 120 fps Maximum frame advance rate as measured by in house tests
Continuous Shooting Options
Continuous L: 1-7 fps Continuous H: 1-8.1 fps (up to 16 fps with electronic shutter) Continuous H extended: 1-14 fps (up to 20 fps with electronic shutter) High-speed frame capture + (C30): Approx. 30 fps High-speed frame capture + (C60): Approx. 60 fps High-speed frame capture + (C120): Approx. 120 fps Maximum frame advance rate as measured by in house tests
Self-Timer
2, 5, 10, 20 sec.; 1-9 exposures at intervals of 0.5, 1, 2, or 3 sec.
Timer duration electronically controlled
Silent Shooting
Yes
Top Continuous Shooting Speeds
20 frames per second with RAW at Full Resolution 30 frames per second with JPEG at Full Resolution 60 frames per second with JPEG at Full Resolution 120 frames per second with JPEG at 11 Megapixels

Exposure Metering System
TTL metering using camera image sensor
Metering Method
Matrix metering Center-weighted metering: Weight of 75% given to 12 mm or 8 mm circle in center of frame or weighting can be based on average of entire frame Spot metering: Meters 4 mm circle centered on selected focus point Highlight-weighted metering
Metering Range
'-4 to +17 EV (ISO 100, f/2.0 lens, 20 °C/68 °F)
Exposure Modes
Auto Programmed auto with flexible program (P) Shutter-priority auto (S) Aperture-priority auto (A) Manual (M)
Exposure Compensation
'−5 – +5 EV (choose from step sizes of ¹⁄? and ¹⁄? EV)
Exposure Bracketing
Yes
Exposure Lock
Luminosity locked at detected value
Picture Control
Flexible Picture Control, Rich Tone Portrait, Deep Tone Monchrome, Flat Monochrome, Storage for custom Picture Controls, Selected Picture Control can be modified, Vivid, Standard, Portrait, Neutral, Monochrome, Landscape, Flat, Creative Picture Controls (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon), Auto
Multiple Exposure
Add, average, lighten, darken
HDR Overlay
Yes
Photo mode flicker reduction
Yes
High-frequency flicker reduction
Yes

ISO Sensitivity
ISO 100 to 64000 in steps of 1/3 and 1 EV Can also be set to approx. 0.3, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.7, 1 or 1.7 EV (ISO 204800 equivalent) above ISO 64000; auto ISO sensitivity control available Note: ISO sensitivity is limited to 400–64000 when HLG is selected for tone mode.
Lowest Standard ISO Sensitivity
100
Highest Standard ISO Sensitivity
64000
Lowest Expanded ISO Sensitivity
50
Highest Expanded ISO Sensitivity
204800
Long Exposure Noise Reduction
Yes
High ISO Noise Reduction
Yes
Active D-Lighting
Can be selected from:
Auto, Extra high, High, Normal, Low, and Off
Active D-Lighting Bracketing
Yes

Single-Point AF Mode
Yes
Dynamic AF Mode
Yes
Auto-Area AF Mode
Yes
Autofocus System
Hybrid phase-detection/contrast AF with AF assist
Detection Range
'−8 – +19 EV (−10 – +19 EV with starlight view) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF?S) and a lens with a maximum aperture of f/1.2
Lens Servo
Autofocus (AF) Single-servo AF (AF-S) Continuous-servo AF (AF-C) Full-time AF (AF-F) available only in video mode) Manual focus (M): Electronic rangefinder can be used
Focus Point
273 focus points (single-point AF) 299 focus points (auto-area AF) Number of focus points available in photo mode with FX selected for image area
AF-Area Mode
Pinpoint Single-point Dynamic-area (S) Dynamic-area (M) Dynamic-area (L) Wide-area AF (S) Wide-area AF (L) Wide-area AF (C1) Wide-area AF (C2) Auto-area AF 3D-tracking Subject-tracking AF Pinpoint (available in photo mode only) Single-point, dynamic-area (S, M, and L; available in photo mode only) wide-area (S, L, C1, and C2), and auto-area AF; 3D-tracking (available in photo mode only); Subject-tracking AF (available in video mode only)
Focus Lock
Focus can be locked by pressing shutter-release button halfway (single-servo AF/AF?S) or by pressing the center of the sub-selector
Focus Modes
AF-S, AF-C, AF-F (video), MF
Maximum Autofocus Areas/Points
299
Vibration Reduction
Lens shift (available with VR lenses)
Autofocus Fine Tune
Yes
Focus Point VR
Yes

Flash Bracketing
Yes
X-Sync Speed
1/200 sec.
Top FP High Speed Sync
Up to:1/8000 sec.
Flash Control
TTL: i?TTL flash control; i?TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i?TTL fill-flash with spot metering
Flash Sync Modes
Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Off
Flash Compensation
'-3 to +1 EV (choose from step sizes of ¹⁄? and ¹⁄? EV)
Flash-ready Indicator
Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output
Accessory Shoe
ISO 518 hot-shoe with sync and data contacts and safety lock
Nikon Creative Lighting System (CLS)
i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, auto FP high-speed sync, unified flash control
Flash Sync Terminal
No
Flash Sync Speed
1/200 second

White Balance
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (3 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all with fine-tuning Shade
White Balance Bracketing
Yes Exposure and/or flash, white balance, and ADL

Live View Shooting
Yes

Movie Metering
TTL metering using camera image sensor
Movie Maximum Recording Time
2 hours 5 minutes
Movie File Format
NEV MOV MP4
Movie Video Compression
N-RAW (12 bit), Apple ProRes RAW HQ (12 bit), Apple ProRes 422 HQ (10 bit), H.265/HEVC (8 bit/10 bit), H.264/AVC (8 bit)
Movie Audio Recording Format
Linear PCM (48 KHz, 24 bit, for videos recorded in NEV or MOV format), AAC (48 KHz, 16 bit, for videos recorded in MP4 format)
Movie Frame size (pixels) and frame rate (RAW Video)
6048 x 3402: 60p/50p/30p/25p/24p 4032 x 2268: 60p/50p/30p/25p/24p 3984 x 2240: 120p/100p/60p/50p/30p/25p/24p Note: Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively.
Movie
5376 x 3024 (5.4K): 60p/50p/30p/25p/24p 3840 x 2160 (4K UHD): 120p/100p/60p/50p/30p/25p/24p 1920 x 1080: 240p/200p/120p/100p/60p/50p/30p/25p/24p 1920 x 1080 (slow-motion): 30p x4/25p x4/24p x5 Note: Actual frame rates for 240p, 200p, 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 239.76, 200, 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively.
4K Ultra High Definition (UHD)
Yes
Full HD Movies (1080p)
Yes
Slow Motion Video
Yes
Movie Audio
Built-in stereo or external microphone can be used; external audio devices can be used via line input, audio input sensitivity adjustable; attenuator, frequency response, and wind noise reduction functions
Movie ISO
Mode M: Manual selection (ISO 100 to 51200; choose from step sizes of ¹⁄?, ¹⁄? and 1 EV); with additional options available equivalent to approximately 0.3, 0.7, 1, or 2 EV (ISO 204800 equivalent) above ISO 51200; auto ISO sensitivity control (ISO 100 to Hi 2.0) available with selectable upper limit Note: ISO sensitivity is limited to 400 to 51200 when HLG is selected for tone mode. Note: ISO sensitivity is limited to Lo 0.3 to 2.0 and 800 to 51200 when N-Log is selected for tone mode. Modes P, S, A: Auto ISO sensitivity control (ISO 100 to Hi 2.0) with selectable upper limit AUTO mode: Auto ISO sensitivity control (ISO 100 to 51200)
Movie Active D-Lighting
Can be selected from:
Extra high, High, Normal, Low, and Off
Time Code
Yes
Movie Log Gamma Output
Yes
Movie e-VR
Yes
Movie HDMI Output
Yes
Movie Focus Peaking
Yes
Movie Highlight Display (Zebras)
Yes
Time-Lapse Movie
Yes
AF for Movie
Yes
Raw Video Option
Yes
N-Log and HDR (HLG) video
Yes
Waveform display
Yes
Red REC frame indicator
Yes
Video recording display zoom (50%, 100%, and 200%)
Yes
Extended shutter speeds (mode M)
Yes
Extended shutter speeds (mode S)
Yes
Dual-format (proxy-video) recording for RAW video
Yes
Extended oversampling available
Yes
Option to view video recording info available via I menu
Yes
Hi-Res Zoom
Yes
6K
Yes

Monitor Size
3.2 in. diagonal
Monitor Resolution
2100 k dots
Monitor Type
Vari-angle TFT touch-sensitive LCD
Touchscreen
Yes
Monitor Angle of View
170° viewing angle
Monitor Adjustments
Color balance 15-level manual brightness controls
Virtual Horizon Camera Indicator
Yes

Playback Functions
Full-frame and thumbnail (up to 4, 9, or 72 pictures) playback with playback zoom playback zoom cropping histogram display highlights video playback photo information location data display auto picture rotation picture rating voice memo input and playback IPTC information embedding and display Slide shows Filtered playback Skip to first shot in series Series playback Save consecutive frames Motion blend photo information
In-Camera Image Editing
RAW processing Trim Resize D-Lighting Straighten Distortion Control Perspective Control Monochrome
Image Comment
Yes
Voice Memo Function
Yes

Interface
USB: Type C SuperSpeed USB connector HDMI: Type A HDMI connector Audio Input: Stereo mini-pin jack (3.5 mm diameter; plug-in power and line input supported) Audio Output: Stereo mini-pin jack (3.5 mm diameter) Accessory terminal: Built-in
Ethernet
No
Wi-Fi Functionality
Standards: IEEE 802.11b/g/n/a/ac U.S.A., Canada, and Mexico) IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: U.S.A., Canada, and Mexico: 2412 to 2462 MHz (channel 11) and 5180 to 5825 MHz (5180 to 5580 MHz, 5660 to 5700 MHz, and 5745 to 5825 MHz) Other countries in the Americas: 2412 to 2462 MHz (channel 11) and 5180 to 5805 MHz (5180 to 5320 MHz and 5745 to 5805 MHz) Maximum output power (EIRP): 2.4 GHz band: 3.8 dBm 5 GHz band: 9.5 dBm Authentication: Open system, WPA2-PSK, WPA3-SAE
Smart Device App Connectivity
SnapBridge
Wireless Connectivity
Yes
Wireless Transfer to PC
Yes
Bluetooth
Communication protocols: Bluetooth Specification Version 5.0 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Maximum output power (EIRP): Bluetooth: -1.7 dBm Bluetooth Low Energy: -3.2 dBm
Save/Load Camera Settings
Yes
Supported Languages
English, Spanish, French, Portugese
Date, Time and Daylight Savings Time Settings
Yes
World Time Setting
Yes
Webcam Utility Compatible
Yes

My Menu
Yes
Recent Settings
Yes
Supported Languages
English, Spanish, French, Portugese
Date, Time and Daylight Savings Time Settings
Yes
World Time Setting
Yes

Battery / Batteries
One EN?EL15c rechargeable Li-ion battery * * EN?EL15b and EN?EL15a batteries can be used in place of the EN?EL15c. Note, however, that fewer pictures can be taken on a single charge than with the EN?EL15c. EH?8P AC adapters can be used to charge EN?EL15c and EN?EL15b batteries only. EH?7P charging AC adapters and (available separately) EH?8P Charging AC adapter (available separately); requires UC?E25 USB cable (supplied with camera) MH-34 Battery Charger (available separately)
Battery Life (shots per charge)
Photo Mode (Single Frame): Number of Shots • [Viewfinder only] selected for monitor mode with: [ON] selected for [Energy saving (photo mode)] in the setup menu: Approx. 380 shots - [Viewfinder only] selected for monitor mode with: [OFF] selected for [Energy saving (photo mode)] in the setup menu: Approx. 360 shots • [Monitor only] selected for monitor mode with: [ON] selected for [Energy saving (photo mode)] in the setup menu: Approx. 410 shots - [Monitor only] selected for monitor mode with: [OFF] selected for [Energy saving (photo mode)] in the setup menu: Approx. 390 shots Video Mode: Length of Footage: • [Viewfinder only] selected for monitor mode: Approx. 100 minutes • [Monitor only] selected for monitor mode: Approx. 100 minutes
Movies:Yes
Photo Mode: Number of Shots
true
Movie Mode: Length of Footage
Yes
AC Adapter
EH?7P charging AC adapter (available separately) EH?8P AC charging adapter (available separately); requires UC?E25 USB cable (supplied with camera) EH?5d, EH?5c, and EH?5b AC adapters; requires EP?5B power connector (available separately)
Battery Charger
MH-25A, MH-34

Tripod Socket
0.635 cm (1/4 in., ISO 1222)
Approx. Dimensions (Width x Height x Depth)
5.5 in. (138.5 mm) x 4 in. (101.5 mm) x 3 in. (74 mm)
Approx. Weight
23.7 oz. (670 g)
Operating Environment
Temperature: -14 °C to 40 °C (+14 °F to 104 °F) Humidity: Less than 85% (no condensation)

JPC Kemang

Nikon

Nikon Z6 III Kit 24-70mm f/4 S Mirrorless Camera

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